How To Achieve Proper Acoustics In Your Recording Room

Every professional audio engineer knows the importance of proper acoustic treatment. Mixes that seem fine in your control room often sound boomy or thin when played elsewhere. And if you can't hear bass instruments accurately, it's impossible to create mixes that sound good everywhere.
Low frequency response variations as large as 35dB are common, especially in smaller rooms. Worse still, the peaks and dips change around the room — the sound is thin here, too bassy over there — and nowhere is the response even close to flat. A lack of effective low frequency absorption also makes the bass range sound muddy and ill-defined. Once a room has been properly treated the clarity and articulation of bass instruments improves enormously, so you can hear what you're mixing more accurately and with much less effort.
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